Conversations

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This drawing is probably the most fun I’ve had on an artwork this year. The initial research and reference stage had me a bit confused at first, as I hadn’t really thought about Odin’s eye until I looked at some old drawings and paintings online. I noticed a constant switch of direction of his missing right eye; my guess is mirroring had resulted in artists switching to the left side of his face. All in all a fun little project. (A side note, I had no idea how big ravens were. 😢)

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Conversations, microns & markers on paper, 8×10″, 2019
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Prints and this original will be heading to my shop soon. Head on over if you’re interested. πŸ™‚

WIP.

First Spell – Watercolour Painting Sept.

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With this painting I really wanted to continue with the fantasy elements, but also get back to the study of sheer fabrics that I enjoyed when painting Call of the Sirens. Fabrics are always intimidating for me, because if it’s sheer or even satin let’s say…well for the most part you only get one chance to get it right with watercolours. Too much paint can mess up the piece real fast, and finding how light and skin works in whole equation is another thing altogether. I’m still learning by studying from the masters, by looking at many classical paintings; ranging from Regency to Edwardian. Although, I have to find a way to adapt those techniques from oils to watercolours, which is a fun challenge.

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First Spell, watercolours on paper, 8×12″, 2019

I liked the look of the early stages of the painting as well, making a note to experiment with even less paint in future projects. Sometimes I find it a bit hard to judge how dark I need to make a watercolour painting; as most artists in this medium will know, scanning the artwork doesn’t always get you the most flattering results in the end. There’s a certain grey/dark tone or evenness I like to achieve (which I’m not doing a good job explaining unfortunately), and scanners mess it up royally with its bright light giving unwanted contrasts across the painting. I’m lucky to have a good Epson scanner, but there are some things that can’t be fixed and I do my best with Photoshop in the end. πŸ˜„

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Original available at the shop.

WIP.

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*Update on In Fate’s Hand Painting Auction

I’ve realized I hadn’t updated the info here on my blog as I had on Instagram. The original painting of In Fate’s Hand that was for auction on Ebay, has now been moved to the shop. I had some issues with Ebay account, as it was a new one, and felt it would get better views directly in the shop. 50% of the sale of the painting will still go the Canadian Fallen Firefighters Foundation as originally planned, so please pass on the word and check it out for yourself if interested. Thanks! πŸ™‚

Heirlooms – August, Shop Update

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A quick update on some new arrivals to my Etsy store, Embers & Stones. If you’re not familiar with my work, alongside creating art I also like to spend some of my time handcrafting fantasy-themed jewellery; mostly using wire-work techniques. I hope you find some time to check it out. πŸ™‚

I decided to try something new this month. I’ve done quite a few earrings, necklaces & bracelets now, but with the holidays approaching (…well when I say approaching πŸ˜…) I thought it would be fun to experiment with some little decorations instead. So far there are 4 of these ornaments up in the shop; this being the ‘Heirlooms’ collection, but I might try some other variations as well.

In Fate’s Hand – Painting & Charity Auction

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This painting has been a bit puzzling for me. Although I’m not unsatisfied with the results, the composition and I suppose just the piece in general was a bit out of the usual for me. I admire artists whose pieces involve lots heavy background work; sceneries, forests, water, etc; but somehow I had moved away from it entirely since university days.

If you follow my work, you may have noticed that nowadays I prefer to work with a mostly a minimal backdrop (white usually). It’s just something I have come to like in my art. There are elements of this piece that I plan on using in the future, although I might not necessarily go this route again in terms of trying to create a full on classical painting. I still find painting nature, trees and such quite interesting; in terms of texture, foliage, etc, but I prefer to incorporate them in the composition without going too heavy on the background. What do you think? Do you think this type of piece wanders too far from my usual style? πŸ˜„

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In Fate’s Hands, watercolours on paper, 11×14″, 2019

Although I mentioned I prefer not to go the route of a full classical painting, most of my favourite artists would fall under that genre. πŸ˜… For this painting for example, I was inspired by the work of the French painter Bouguereau. I love how he paints children in particular, because for myself it’s an absolute nightmare. If you follow me on any of social media you’ll have seen me trying to figure out the alien proportions when it comes to kids. 😁

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***

AUCTION SUPPORTING CANADIAN FIREFIGHTERS.

*UPDATE.

Auctioning on Ebay didn’t go as planned as I had to create a whole new account for the one painting and I feel it may have impacted how many people actually got to view it. So instead the painting is now available for purchase at the shop. The charity support will stay the same; I’ll still be donating 50% of the sale to the CFFF (just not using Ebay).

~

This auction will be contributing to a Canadian charity that supports the brave men and women and their families, who don’t get nearly as much recognition as they deserve. 50% of the sale from this painting will be going to the Canadian Fallen Firefighters Foundation. Please feel free to share with anyone else you think might be interested. Thankyou.

More info on this charity at http://www.cfff.ca/

 

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Sketchbook Updates

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As I get set to do more paintings, I’ve been trying to use my Fabriano (5.5×8.5″) sketchbook a bit more. Trying to focus more on life-drawing with fantasy elements, I’m hoping to improve my skills; which I found had weakened somewhat since uni life-drawing sessions. The Shinhan Art Touch Twin Markers are pretty much a go to for me in this sketchbook, with a graphite lineart/under-drawing. I do find that the paper is very thin with this Fabriano sketchbook, but I don’t mind the results so I’m just putting a scrap paper on the back for any bleed-through. Anyhow, thought I’d share some snippets from this sketchbook so far. πŸ™‚ Also a quick reminder, head over to my Instagram if you’re interested in more frequent updates on projects and processes. Instagram @shaima.art.

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22.05.2019 sketcbook // Wardruna ~ Einar Selvik, Lindy-Fay Hella