The Mandalorian – Last Drawings of 2019

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I hope you all have enjoyed The Mandalorian as much as I have; it has given me hope for the Star Wars franchise on the big screen. Although I’m not part of the fan-base that have felt rage at the new movies, I was rather disappointed at the failure to develop the characters & plot in the manner that The Force Awakens seemed to have initially been heading towards. I can be satisfied with The Mandalorian however, and continue to enjoy the animated series, games, and books that Star Wars creators do well.

Having had the benefit of growing up with 2 older brothers, I was never short of action and sci-fi/fantasy media growing up. The Star Wars trilogy was watched to death on VHS, and my generation of course enjoyed (and criticize today πŸ˜… ) the prequels when they came out around 2000s. Other than the unforgettable introduction of Darth Maul in the prequels, Ewan Mcgregor’s Obi-Wan really got me interested in the character and continues to be my favourite to this day. (Well ok…Obi-wan and a certain red-eyed, blue-skinned, art connoisseur πŸ˜†) Therefore, seeing director Deborah Chow behind 2 of my favourite episodes in The Mandalorian has gotten me very excited for the upcoming Obi-wan series which she’ll be behind. A really good sci-fi/fantasy show also means a longer wait for Season 2, which I shall now impatiently be waiting for.

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This is the Way, graphite on toned paper, sketchbook, 2019
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Want Some Soup?, graphite on toned paper, sketchbook, 2019
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A Creed, graphite on toned paper, sketchbook, 2019

*Prints available here.

Giant Slayer – Watercolour Painting

 

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Something that was meant to be a fairly quick painting/study, but inevitably capturing my interest and thus more of my time. I did enjoy it…although I might take a break from looking at this many skull references for a bit. πŸ˜… This will be the last post for this year; so I’ll be wishing you all the best for 2020, and I can’t thank you all enough for supporting my work. πŸ™‚

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Giant Slayer, watercolours on paper, 8×10″, 2019

[Now available at the shop & print store.]

Process/WIP.

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December Inspirations – Sketchbook

A few drawings from the end of last month & this one, from shows that have inspired me enough to draw along. I mean anything Star Wars related is a no brainer, so that didn’t count I suppose. πŸ˜…

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Ka’kwet, Anne S3 / Colour-pencils on toned Sketchbook paper
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This is the way / Graphite on toned Sketchbook paper
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Want Some Soup? / Graphite on toned Sketchbook paper

November 1 – Sketchbook

 

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A slow end of October; in terms of sharing more work here that I had originally planned. Trying to get more paintings done for portfolio updates, as well as certain personal deadlines I want to meet. Hopefully I’ll get more new work up here soon. πŸ™‚ Until then, a little toned paper sketch from ITV’s Sanditon. Little bummed we didn’t get a proper Austen ending from Andrew Davies. πŸ˜† Still, a huge fan of Davies and love every adaptation he’s done.

Also, you can follow me on Instagram & Twitter if you’d like a glimpse into what I’m working on, I try to get more updates for you guys on my socials anyways. πŸ™‚

IG: @shaima.art / Twitter: @shaima_art

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Leo Suter, Theo James – Jane Austen’s Sanditon, colour-pencils on toned paper

WIP.

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First Spell – Watercolour Painting Sept.

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With this painting I really wanted to continue with the fantasy elements, but also get back to the study of sheer fabrics that I enjoyed when painting Call of the Sirens. Fabrics are always intimidating for me, because if it’s sheer or even satin let’s say…well for the most part you only get one chance to get it right with watercolours. Too much paint can mess up the piece real fast, and finding how light and skin works in whole equation is another thing altogether. I’m still learning by studying from the masters, by looking at many classical paintings; ranging from Regency to Edwardian. Although, I have to find a way to adapt those techniques from oils to watercolours, which is a fun challenge.

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First Spell, watercolours on paper, 8×12″, 2019

I liked the look of the early stages of the painting as well, making a note to experiment with even less paint in future projects. Sometimes I find it a bit hard to judge how dark I need to make a watercolour painting; as most artists in this medium will know, scanning the artwork doesn’t always get you the most flattering results in the end. There’s a certain grey/dark tone or evenness I like to achieve (which I’m not doing a good job explaining unfortunately), and scanners mess it up royally with its bright light giving unwanted contrasts across the painting. I’m lucky to have a good Epson scanner, but there are some things that can’t be fixed and I do my best with Photoshop in the end. πŸ˜„

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Original available at the shop.

WIP.

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*Update on In Fate’s Hand Painting Auction

I’ve realized I hadn’t updated the info here on my blog as I had on Instagram. The original painting of In Fate’s Hand that was for auction on Ebay, has now been moved to the shop. I had some issues with Ebay account, as it was a new one, and felt it would get better views directly in the shop. 50% of the sale of the painting will still go the Canadian Fallen Firefighters Foundation as originally planned, so please pass on the word and check it out for yourself if interested. Thanks! πŸ™‚