Sketchbook Updates

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13.12.2018 sketchbook // Polish Crime-drama ‘Ultraviolet’

As I get set to do more paintings, I’ve been trying to use my Fabriano (5.5×8.5″) sketchbook a bit more. Trying to focus more on life-drawing with fantasy elements, I’m hoping to improve my skills; which I found had weakened somewhat since uni life-drawing sessions. The Shinhan Art Touch Twin Markers are pretty much a go to for me in this sketchbook, with a graphite lineart/under-drawing. I do find that the paper is very thin with this Fabriano sketchbook, but I don’t mind the results so I’m just putting a scrap paper on the back for any bleed-through. Anyhow, thought I’d share some snippets from this sketchbook so far. 🙂 Also a quick reminder, head over to my Instagram if you’re interested in more frequent updates on projects and processes. Instagram @shaima.art.

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03.06.2019 Sketchbook

 

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22.05.2019 sketcbook // Wardruna ~ Einar Selvik, Lindy-Fay Hella

Instagram, More Shadowhunters, Updates

 

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The Last of the Morgensterns (Shadowhunters), markers & micron on paper, 8.5×11″. 2019.

With the Shadowhunters Tv series coming to an end, I feel like it’s inevitable for it be an inspo at the moment in my work. Also lots of demons, and fantasy themed architecture, sets & other pretty visuals. 😊

A quick update for my social media followers. A few of you had asked about my Instagram a while back; I’m pleased to say I finally have one I can share with you guys. So follow me at shaima.art on IG, and I hope to chat with you guys there as well. My next few pieces will be more original art rather than fanart related pieces so stay tuned for that. More darker demonic themed paintings, some nordic stuff thrown in as well. ✌️

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Katherine McNamara as Clary Fairchild-Morgenstern – Shadowhunters on Freeform

 

WIP

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Call of the Sirens

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Call of the Sirens, watercolours on paper, 8.5×11″, 2018

The tape finally came off this one, as I added some final touches this week. Probably one of my more enjoyable pieces that I’ve done so far, as I worked at a more casual pace while working on some other things.

I also attempted to take more progress shots this time around, as more people seem to enjoy these on Twitter and Tumblr. The initial drawing was done with graphite on paper, and then transferred onto the watercolour paper from a scanned print. As I ran out of graphite transfer paper, it was the old school method of taking a 5B pencil and just filling up the back of the print. 🙂 Drawing the figures in nude at an initial stage was important, as I would be trying to create sheer fabric in the painting. I might skip this stage if I was more confident, but watercolours aren’t as forgiving when it comes to errors. 😀

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Call of the Sirens, graphite on paper, 8.5×11″, 2018

*Original matted painting available for purchase. Available here on Etsy.

WIP with watercolours.

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Sketching Ideas – The Call

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I’ve been getting some ideas down for my next drawing. A few of you have asked me here and on Tumblr, on sketches & how I go about using them in my creative process for a finished piece…I know there are many artists out there (some among my personal favourites) who do amazing pre-painting sketches & drawings; I however don’t always do them. It depends on how much of the idea I have established in my head and how confident I feel about transferring that to paper. If I’m doing client work that’s of course out of the question, as you definitely need to do sketches and drawings before even thinking of starting the final product. Even for this next piece I’ll be doing, I know what I want in my head but I needed to get a feel for the placement and mood of the subject(s) for me to get started. Keeping to a ‘sketch’ however, is often out of the question for personal projects. It’s most often a starting point.

Anne the Series

The Anne of Green Gables series by Lucy Maud Montgomery were books I read in primary school; those thin $6.00 paperbacks (I believe from Bantam Books) with those lovely covers.  I remember a couple of adaptations to the screen over the years, most notably the one with actress Megan Follows was probably the most popular among fans. I was therefore thrilled to finally get to see a new version come to a series from CBC, simply called ANNE. Living in Canada, we got to see the series last month before its premiere on Netflix, which was a bonus in its self. 🙂 Having finished watching the first season and hoping it gets renewed for a second, I have to say I’ve found a new favourite in my collection of period dramas. I love the new take on the series, everything from the cinematography, to the cast, and costumes. It’s a beautiful adaptation, so take a look if you get the chance. 

I of course took the opportunity to create some artwork inspired by the series while I was watching the show…

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Kindred Spirits, colour-pencils & markers on paper, 7×11″, 2017

The cast chosen for this show were all equally talented and need I say adorable in their own ways, but I thought I’d choose Amybeth Mcnulty (Anne) and Dalila Bela (Diana) for this piece.

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Gilbert Blythe, markers and microns on paper, 7×11″, 2017

I think everyone reading the books remembers why we loved Gilbert so much when we were growing up; childhood crush, a sweet & memorable character, what else is there to say really? 😀 I think Lucas Jade Zumann was perfect for the role and satisfied everyone’s expectations;  a hard role to take on, especially after the fans holding Jonathan Crombie’s version to heart all these years. I have to say though Lucas, just like the rest of the cast, has become a new favourite of mine.

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Catching Up

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You often don’t get enough time to catch up on your favourite TV shows, especially when working in the art industry and often its never-ending work hours. So, I end up binge-watching a lot of shows. Recently I got around to catching up with latest season of Supernatural. There are many actors/actresses I watch the show for (humour alone being a reason) but Mark Pellegrino’s Lucifer is definitely a big reason. As of the latest episode (S12e15) however, I think I might regret hoping that he gets to keep his ‘vessel’ permanently…

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Lucifer, markers & microns on paper, 9×12″, 2017.

wips.

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