I hope you all have enjoyed The Mandalorian as much as I have; it has given me hope for the Star Wars franchise on the big screen. Although I’m not part of the fan-base that have felt rage at the new movies, I was rather disappointed at the failure to develop the characters & plot in the manner that The Force Awakens seemed to have initially been heading towards. I can be satisfied with The Mandalorian however, and continue to enjoy the animated series, games, and books that Star Wars creators do well.
Having had the benefit of growing up with 2 older brothers, I was never short of action and sci-fi/fantasy media growing up. The Star Wars trilogy was watched to death on VHS, and my generation of course enjoyed (and criticize today 😅 ) the prequels when they came out around 2000s. Other than the unforgettable introduction of Darth Maul in the prequels, Ewan Mcgregor’s Obi-Wan really got me interested in the character and continues to be my favourite to this day. (Well ok…Obi-wan and a certain red-eyed, blue-skinned, art connoisseur 😆) Therefore, seeing director Deborah Chow behind 2 of my favourite episodes in The Mandalorian has gotten me very excited for the upcoming Obi-wan series which she’ll be behind. A really good sci-fi/fantasy show also means a longer wait for Season 2, which I shall now impatiently be waiting for.
Something that was meant to be a fairly quick painting/study, but inevitably capturing my interest and thus more of my time. I did enjoy it…although I might take a break from looking at this many skull references for a bit. 😅 This will be the last post for this year; so I’ll be wishing you all the best for 2020, and I can’t thank you all enough for supporting my work. 🙂
These couple of weeks, I’ve added to the long list of artistic challenges for myself by exploring design once again. I used to include a lot of in my work in my high school days, from fabric to generally…..everywhere. Feeling that I’ve lost touch with it, I decided to take on learning Celtic knots and similarly Viking designs; which I may be able to incorporate into future work. As you may know I’m very interested in Scandinavian history and Norse designs, so I thought that if I’m going to do studies I might as well make it for something I’m very interested in exploring.
There are various resources to look at, from books, videos, to good old Google. The Book of Kells is of course recommended by most tutorials I’ve come across, as well as just looking at various Viking artifacts for inspiration. For reference purposes (for myself in my sketchbook) I followed an incredibly helpful playlist from a charming gentleman on Youtube, whom I’ll link below if you’re keen on learning various knots. Looking at images of Viking artifacts came in handy as well, because I could learn the knot-work but of course Norse designs differ in that they depict more animals, and have weaves which are more fluid among other differences. I’m by no means a professional of course, so it makes it even harder for myself without having a history background to learn merely on observation. It’s challenging, but quite fun.
There are a myriad of references you can consult on the web, so I wont bore you with google searches which I’m sure in this day and age everyone already knows about. Here are a few things I’ve been looking at. 🙂
A slow end of October; in terms of sharing more work here that I had originally planned. Trying to get more paintings done for portfolio updates, as well as certain personal deadlines I want to meet. Hopefully I’ll get more new work up here soon. 🙂 Until then, a little toned paper sketch from ITV’s Sanditon. Little bummed we didn’t get a proper Austen ending from Andrew Davies. 😆 Still, a huge fan of Davies and love every adaptation he’s done.
Also, you can follow me on Instagram & Twitter if you’d like a glimpse into what I’m working on, I try to get more updates for you guys on my socials anyways. 🙂
This drawing is probably the most fun I’ve had on an artwork this year. The initial research and reference stage had me a bit confused at first, as I hadn’t really thought about Odin’s eye until I looked at some old drawings and paintings online. I noticed a constant switch of direction of his missing right eye; my guess is mirroring had resulted in artists switching to the left side of his face. All in all a fun little project. (A side note, I had no idea how big ravens were. 😶)