A Slow May – WIP & New Minis

Although my head’s buzzing with ideas at the moment, this month has been rather slower than I would have liked. I had been struggling with the usual artist block, which returning meant too many ideas all at once. ๐Ÿ˜ซ

In hopes of improving whilst simultaneously creating new artwork, I’ve decided to do a bunch of these mini drawings. Keep an eye out in the shop if you’re looking to purchase any of these upcoming small originals. ๐Ÿ™‚

Sight, markers/microns on paper, 6×8″, 2020

watercolour painting, wip.

A little peak at a new watercolour painting I’ve been working on.

Sisters Cassandra – Watercolour Painting

Sisters Cassandra, watercolours & mixed-media, 11×14″, 2020

It should be noted that procrastinating on art supply restock is never a good thing; which I’m learning all too well at the moment. I’ve shared a few snaps on the process of creating this piece below (at least most of which I remembered to do as I was painting).


prelim to painting.

The current situation with the virus and limiting shopping/delivery on art supplies of course doesn’t mean an end to creating work. It is indeed a very first world problem, but an annoyance nonetheless.

I’ve been trying to return to the habit of using preliminary drawings more, and then using a method of transferring onto watercolour paper. As I’ve been trying to improve my figure drawings, I’ve noticed that my watercolour paper does tend to get a fair bit of damage from erasing and redrawing. The fact that this can happen isn’t new too me, but in all honesty we all get lazy at times.

Happy with my drawing, I scanned the work and got ready to print. If you’re interested in the method I use, you can also check out Cynthia Sheppard’s video here, where she shows how you can go from your drawing to painting. I then realized I had run out of printer ink, as well as any graphite transfer paper…Time for the old school method. I’m talking about what we did as kids, taking graphite and going over the back of a sheet of paper covering it entirely, and then placing your drawing over it and tracing over that. Its the same concept as the ones you can buy at art supply stores. I’m a bit conservative with wasting graphite however, so I usually tend to fill my ‘transfer paper’ only on the areas I know will have outlines. Often times there’s no need to have whole sheet covered, you’ll probably end up with graphite residue on a perfectly clean watercolour paper.

I tend to use tracing paper as it’s the thinnest, but you could use whatever paper you prefer.

Once the drawing’s been transferred there’s only one thing left to do, paint! ๐Ÿ™‚ I didn’t have the same issues I did with my Sparks of Rebellion piece; again because I removed a lot of the surface on the watercolour paper during preliminary drawings on that one. This piece was mainly in watercolours but to get a more smoother gradient on the background I opted for some Faber Castell Polychromos, and acrylic paint highlights.

This painting is also available for purchase as prints and the original. You can find all the info by heading over to Shop.