Hope you’re all keeping safe and healthy. A little work in progress share for a painting I’m getting ready to start on. 🙂
First finished painting of 2020. I usually get impatient to finish a piece as it nears the end, because at that point my head’s already full of ideas I want to get on paper for the next project. 😅 I’ve also felt the urge recently to get back into acrylics again or perhaps trying gouache. Funnily enough watercolours used to be my weakest medium, as I used acrylics for most projects in high school & uni. As I got irritated with being forced to do modern/minimal/abstract art at the time, I switched over and never really went back. Although…I can already feel the dread thinking about everything I’ve forgotten about the medium.
This one will be up in the shop soon, but I’ve been thinking of switching my originals directly onto this site for a while now. I’ve used other websites before, but I’d like to eventually get everything on here. Just a heads up if you see a change in the shop section (although it’ll be as basic as it gets for now).
Something that was meant to be a fairly quick painting/study, but inevitably capturing my interest and thus more of my time. I did enjoy it…although I might take a break from looking at this many skull references for a bit. 😅 This will be the last post for this year; so I’ll be wishing you all the best for 2020, and I can’t thank you all enough for supporting my work. 🙂
This painting has been a bit puzzling for me. Although I’m not unsatisfied with the results, the composition and I suppose just the piece in general was a bit out of the usual for me. I admire artists whose pieces involve lots heavy background work; sceneries, forests, water, etc; but somehow I had moved away from it entirely since university days.
If you follow my work, you may have noticed that nowadays I prefer to work with a mostly a minimal backdrop (white usually). It’s just something I have come to like in my art. There are elements of this piece that I plan on using in the future, although I might not necessarily go this route again in terms of trying to create a full on classical painting. I still find painting nature, trees and such quite interesting; in terms of texture, foliage, etc, but I prefer to incorporate them in the composition without going too heavy on the background. What do you think? Do you think this type of piece wanders too far from my usual style? 😄
Although I mentioned I prefer not to go the route of a full classical painting, most of my favourite artists would fall under that genre. 😅 For this painting for example, I was inspired by the work of the French painter Bouguereau. I love how he paints children in particular, because for myself it’s an absolute nightmare. If you follow me on any of social media you’ll have seen me trying to figure out the alien proportions when it comes to kids. 😁
AUCTION SUPPORTING CANADIAN FIREFIGHTERS.
Auctioning on Ebay didn’t go as planned as I had to create a whole new account for the one painting and I feel it may have impacted how many people actually got to view it. So instead the painting is now available for purchase at the shop. The charity support will stay the same; I’ll still be donating 50% of the sale to the CFFF (just not using Ebay).
This auction will be contributing to a Canadian charity that supports the brave men and women and their families, who don’t get nearly as much recognition as they deserve. 50% of the sale from this painting will be going to the Canadian Fallen Firefighters Foundation. Please feel free to share with anyone else you think might be interested. Thankyou.
More info on this charity at http://www.cfff.ca/
Painting hair and skin are one my biggest fears as an artist. Even after all these years I find myself working carefully, especially when it comes to watercolours. To all my lovely blondes out there, please don’t take this the wrong way but, dear god…it’s one of the hardest things to replicate in this medium; even if it is one my favourite hair colours. 😀