A few drawings from the end of last month & this one, from shows that have inspired me enough to draw along. I mean anything Star Wars related is a no brainer, so that didn’t count I suppose. 😅
Some of the sketchbook drawings that I’ve been sharing on IG. 🙂
A slow end of October; in terms of sharing more work here that I had originally planned. Trying to get more paintings done for portfolio updates, as well as certain personal deadlines I want to meet. Hopefully I’ll get more new work up here soon. 🙂 Until then, a little toned paper sketch from ITV’s Sanditon. Little bummed we didn’t get a proper Austen ending from Andrew Davies. 😆 Still, a huge fan of Davies and love every adaptation he’s done.
Also, you can follow me on Instagram & Twitter if you’d like a glimpse into what I’m working on, I try to get more updates for you guys on my socials anyways. 🙂
Getting back to working with graphite again. I think I had gotten a little annoyed in the past because of smudging issues. Working with blending stumps has really bought back my love for it again; and its just refreshing.
With this painting I really wanted to continue with the fantasy elements, but also get back to the study of sheer fabrics that I enjoyed when painting Call of the Sirens. Fabrics are always intimidating for me, because if it’s sheer or even satin let’s say…well for the most part you only get one chance to get it right with watercolours. Too much paint can mess up the piece real fast, and finding how light and skin works in whole equation is another thing altogether. I’m still learning by studying from the masters, by looking at many classical paintings; ranging from Regency to Edwardian. Although, I have to find a way to adapt those techniques from oils to watercolours, which is a fun challenge.
I liked the look of the early stages of the painting as well, making a note to experiment with even less paint in future projects. Sometimes I find it a bit hard to judge how dark I need to make a watercolour painting; as most artists in this medium will know, scanning the artwork doesn’t always get you the most flattering results in the end. There’s a certain grey/dark tone or evenness I like to achieve (which I’m not doing a good job explaining unfortunately), and scanners mess it up royally with its bright light giving unwanted contrasts across the painting. I’m lucky to have a good Epson scanner, but there are some things that can’t be fixed and I do my best with Photoshop in the end. 😄
*Update on In Fate’s Hand Painting Auction
I’ve realized I hadn’t updated the info here on my blog as I had on Instagram. The original painting of In Fate’s Hand that was for auction on Ebay, has now been moved to the shop. I had some issues with Ebay account, as it was a new one, and felt it would get better views directly in the shop. 50% of the sale of the painting will still go the Canadian Fallen Firefighters Foundation as originally planned, so please pass on the word and check it out for yourself if interested. Thanks! 🙂
This painting has been a bit puzzling for me. Although I’m not unsatisfied with the results, the composition and I suppose just the piece in general was a bit out of the usual for me. I admire artists whose pieces involve lots heavy background work; sceneries, forests, water, etc; but somehow I had moved away from it entirely since university days.
If you follow my work, you may have noticed that nowadays I prefer to work with a mostly a minimal backdrop (white usually). It’s just something I have come to like in my art. There are elements of this piece that I plan on using in the future, although I might not necessarily go this route again in terms of trying to create a full on classical painting. I still find painting nature, trees and such quite interesting; in terms of texture, foliage, etc, but I prefer to incorporate them in the composition without going too heavy on the background. What do you think? Do you think this type of piece wanders too far from my usual style? 😄
Although I mentioned I prefer not to go the route of a full classical painting, most of my favourite artists would fall under that genre. 😅 For this painting for example, I was inspired by the work of the French painter Bouguereau. I love how he paints children in particular, because for myself it’s an absolute nightmare. If you follow me on any of social media you’ll have seen me trying to figure out the alien proportions when it comes to kids. 😁
AUCTION SUPPORTING CANADIAN FIREFIGHTERS.
Auctioning on Ebay didn’t go as planned as I had to create a whole new account for the one painting and I feel it may have impacted how many people actually got to view it. So instead the painting is now available for purchase at the shop. The charity support will stay the same; I’ll still be donating 50% of the sale to the CFFF (just not using Ebay).
This auction will be contributing to a Canadian charity that supports the brave men and women and their families, who don’t get nearly as much recognition as they deserve. 50% of the sale from this painting will be going to the Canadian Fallen Firefighters Foundation. Please feel free to share with anyone else you think might be interested. Thankyou.
More info on this charity at http://www.cfff.ca/
As I get set to do more paintings, I’ve been trying to use my Fabriano (5.5×8.5″) sketchbook a bit more. Trying to focus more on life-drawing with fantasy elements, I’m hoping to improve my skills; which I found had weakened somewhat since uni life-drawing sessions. The Shinhan Art Touch Twin Markers are pretty much a go to for me in this sketchbook, with a graphite lineart/under-drawing. I do find that the paper is very thin with this Fabriano sketchbook, but I don’t mind the results so I’m just putting a scrap paper on the back for any bleed-through. Anyhow, thought I’d share some snippets from this sketchbook so far. 🙂 Also a quick reminder, head over to my Instagram if you’re interested in more frequent updates on projects and processes. Instagram @shaima.art.