CODEX Obscurus | 2021

The Ritual, graphite, 12×16″ (on 14×17″ paper), 2021
Strathmore 100lb. 270 g/m2

I shared a little peek into this piece sometime earlier this year, but with the project now on full swing on Kickstarter I can announce that this drawing will be part of the CODEX Obscurus Artbook. This is a project by Spiridon Giannakis with cover and Tarot deck design by Viktor Pushkarev, and is a collaboration with an incredibly talented lineup of 145 artists and their unique take on witches & warlocks, witchcraft, the occult and various folklore. As a bonus, I along with several others will be putting forth our original artwork (The Ritual in my case) for purchase in this campaign. If you are interested acquiring an artwork please head over to the Kickstarter page for all the info.

Now Live on Kickstarter

kickstarter.com/projects/spiridon/codexobscurus

The campaign runs until the end of the month & there are just a few more stretch goals to go! If you would like to back this project please head over to pledge.

Limited Edition Prints & Campaign Bundles

There will also be a limited edition run of these amazing hand-made prints by Viktor. Here’s just a little peek at his process, but you can find more behind-the-scenes on the Codex Kickstarter page as well as on Viktor’s Instagram. Depending on the pledge, there will also be different extras from other artists in this campaign from high quality Prints, Postcards, Posters & Bookmarks; with the potential of even more bonuses with the unlocking of stretch goals.

The Ritual: a look into the process

For this project I decided to go with a full graphite piece. I wanted a break from painting with watercolour last year and although I hadn’t touched graphite in while, I felt confident again after laying down the foundation and just having at it. It also helped that I was excited to create something that was very much in line, thematically, to my own work.

I knew I’d be working with a lot of blending and powdered graphite ‘washes’, so I started by taping off the borders for a clean look for the finished product. Once the prelim sketch had been transferred onto the paper, I worked in layers from 2B pencils all the way to 6B & 7B for the darkest as I could go. To achieve the softer appearance I like to create in contrast to the more defined Celtic designs and such, I went to my trusty blending stumps as well as the usual no nonsense tissue paper. This project was also an attempt to improve on metallic elements (or in this case jewellery); working in grayscale and then using an eraser to create effects for a more realistic rendering.

I hope you enjoyed a look into this project and hope you will support our work through this artbook. Take care everyone!


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